quotes Elisquared likes


"Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself."— John Green

Showing posts with label genre: problem. Show all posts
Showing posts with label genre: problem. Show all posts

8.12.2021

BLOG TOUR - DANGEROUS PLAY BY EMMA KRESS - YA FICTION [REVIEW + GIVEAWAY]



Title: Dangerous Play
Authors(s): Emma Kress
Publication Date: August 3, 2021
Edition: Hardcover, paperback, eBook, audiobook; 352 pgs
Publisher: Roaring Brook Press
Source: Rockstar Book Tours
Purchase: Amazon - Kindle - Audible - B&N - BAM! - iBooks - Kobo - TBD - Bookshop.org
Disclaimer: I received a copy from the publisher as part of a blog tour in exchange for an honest review. My thoughts and opinions are my own.  Please note the purchase links above are affiliate links.



Tour Schedule

Week One
8/3/2021 - YABooksCentral - Interview
8/4/2021 - Rajiv's Reviews - Review
8/5/2021 - Everyone's Librarian - Review
8/6/2021 - @Curlygrannylovestoread - Review
8/7/2021 - celiamcmahonreads - Review

Week Two
8/8/2021 - booksaremagictoo - Review
8/9/2021 - Books and Zebras @jypsylynn - Review
8/10/2021 - onemused - Review
8/11/2021 - Nonbinary Knight Reads - Review
8/12/2021 - Eli to the nth - Review


The Summary

A fierce team of girls takes back the night in this propulsive, electrifying, and high-stakes YA debut from Emma Kress

Zoe Alamandar has one goal: win the State Field Hockey Championships and earn a scholarship that will get her the hell out of Central New York. She and her co-captain Ava Cervantes have assembled a fierce team of dedicated girls who will work hard and play by the rules.

But after Zoe is sexually assaulted at a party, she finds a new goal: make sure no girl feels unsafe again. Zoe and her teammates decide to stop playing by the rules and take justice into their own hands. Soon, their suburban town has a team of superheroes meting out punishments, but one night of vigilantism may cost Zoe her team, the championship, her scholarship, and her future.

Perfect for fans who loved the female friendships of Jennifer Mathieu’s Moxie and the bite of Courtney Summer’s Sadie. 
My Review

Right out the gate, this book pulls you in.  Emma Kress crafts an unflinching, full-bodied, emotional story of agency: over one's body, over one's safety, and over one's future.  With the high impact sport of field hockey as a vehicle to bind this group of girls together, the reader will find not just one character, but multiple characters to connect to while exploring some of the very tough, but very real, situations within the pages of Dangerous Play.

I am not a big sports fan; I don't tend to watch sports and I only participated in the required gym activities.  But I was instantly enamored with this focused and deadly (on-the-field) group of field hockey girls.  Zoe is our narrator, the co-captain of the team, along with Ava.  Together through the summer they tagged specific girls, including Zoe's best friend Liv and one of the "outsiders" of the school, Dylan, to train up in order to obtain one goal: win States.  For the co-captains, and Zoe in particular, this win would set them on the path to win scholarships for college.  So everything for them is on the line.

But then Zoe is sexually assaulted and everything changes for her, and the team.

Emma Kress explores the very real experience of a high school girl when it comes to having some sort of bad/horrible/violent sexual experience.  The statistics on sexual assault, attempted rape, and rape are scary when you research it.  And most of those statistics are directly about the female population, with higher statistics on trans youth.  I guarantee that if you talk to a random group of women and girls, you will find that almost all of them have some sort of incident, no matter how "small" it may be.  

Kress puts this reality to the forefront with deft hands, centering the conversation through Zoe and other members of her team.  How it effects everything in someone's life, and becomes, as it did for Zoe, the "Before" and "After".  And it is the "After" that is expanded upon. A focus on autonomy and agency, how much of the culture is perpetuated within our schools and our homes.  How the intersection of race and socioeconomic status make assault more prevalent.  This is the conversation that is both timely and needed.

But with this important reflection comes the authenticity of Zoe and her life.  She loves field hockey, she loves her friends, and she loves her parents.  All of these things are a deep part of her, and help her come to terms with what happened.  There is laughter mixed with sorrow.  There is happiness mixed with anger.  And there is love mixed with hate.  This group of girls will feel real because they are real.  The reader will know or have known one of these girls.  Zoe is an excellent spearhead to experience this story through, but the reader will also connect with the team as a whole.

An excellent book, a much needed book, and must buy book, Dangerous Play by Emma Kress is not one to be missed.  Out now, you can purchase wherever books are sold (or enter below for your chance to win a finished copy).

Final Rating


Excerpt

ONE

THE AIR FEELS DIFFERENT OUT here—wilder, freer. In a few minutes, our girls will jump out of windows and leap off roofs all over town. Ava already has. She’ll be here soon. I could leap off this roof, swing around the elm branch, and let go into a tight flip before landing on the ground. It would totally get a 10 from the German judge.

But the soles of my shoes stick to my bedroom floor, and my hands hold tight to the window frame. I’m not Ava.

And I don’t do rooftops.

I tuck my head back inside, shut the window, and head to my parents’ room. I lean my note on Dad’s nightstand but send one of his pill bottles rattling to the ground. So much for subtle.

Sure enough, his eyes open, narrow and cloudy. “Sorry,” I whisper, grabbing the bottle. “Go back to sleep.”

“Hey, Zoe. Mom home yet?” He turns to check the other side of the bed, but his face tightens, as if a burst of pain radiated across his back.

“No, no.” I guide him back onto his side. “It’s still early.”

He checks the alarm clock: 11:28 p.m. He smirks. “You leaving me another note? Most teenagers just do the respectable thing and sneak out.”

“I am totally sneaking out. We’re just having a conversation first.” I check the notepad I put by his bed. “It looks like you could take another pain pill. Do you want one? More water?”

“I’m fine. You have fun at that frat party now.”

“Sure, Dad.” I kiss him on the forehead. “Don’t be surprised if I come home pregnant.”

“Don’t forget drunk and high!” He sticks his thumb up.

I close the door on his laugh.

Rushing back to my room, I grab my stick and backpack, and tap my Tar Heels poster for good luck before dashing down the stairs and out the front door.

* * *

When I slide into the big van’s passenger seat, Ava smiles at me. “I’ll bet you a giant plate of Tully’s chicken tenders and mozzarella sticks that you left a note.”

I refuse to look at her. “Shut up and drive, Cap’n.”

“Aye, aye, Cap’n.” She laughs. “I’ll also take payment in anything cheesy … Doritos, nachos, pastelitos, Cheetos. What do Os have to do with cheese?”

We drive down sleepy streets, windows open, gathering our team of girls dressed in black who tumble out of their windows, forward roll down their front lawns, and pile into the back of the van, their sticks clanging against the metal floor, their laughs bouncing off the roof. The girls bump into one another when the van turns, limbs tangling.

We take Lakeview Road, with its small one-story houses packed tightly on one side and the expanse of lake on the other. The lake is big enough that you can’t really see the other side, especially at night. A ways down, the road winds away from the lake, and the only people with access to the view are the ones who can pay for it. But here, it’s open to all of us.

We pull into the empty lot of the beach. North of Syracuse, this is about as close as we get to a real beach. I pretend the lake with its dark water and dark beyond is the ocean, that I’m someplace better and warmer than here, and that I’m on the edge—the very edge of everything old and new and just beginning. I breathe in the air thick with water, lake weeds, and tumbled earth and let the warmth of it soak in.

Tonight it’s nothing but us, sand, water, and moonlight.

We scramble out of the van, and the lake bounces our laughter back to us. Four girls plant goals with glow-in-the-dark flags, while others volley the glow-in-the-dark ball back and forth on the flat of their sticks. I slide face paint across Ava’s cheeks, the neon-blue streaks bright against the night.

“Blue team here!” Ava shouts, and she paints her team as they come to her.

Liv marks me with my favorite color. “Green!” I call, and my group clumps together, marking one another’s faces. Our individual features fade away, and we become darkened bodies with glowing stripes in school colors that crinkle when we laugh.

“What do you say, Cap? No rules?” Dylan wiggles her eyebrows, her peroxide-blond hair catching the moonlight.

I tilt my head at her. She’s always pushing it. “Save it for parkour. Tonight’s all about fockey.”

Liv knocks her stick against Dylan’s. “Besides. Your version of no rules might involve someone losing a leg.”

Dylan smiles, twisting her stick in her hands. “I just think these sticks would look better with a little blood on ’em.”

Liv laughs.

We knock sticks and run to position. “Sticks Chicks!” Our two centers tap the ground beside the ball and click sticks three times before each tries to strike it. Green wins the ball and takes off, and Blue swears as we whoop toward the goal.

Sticks beat shins, faces eat sand, and arms throb from whacking the sand dunes that rise and dip around us. Beach hockey makes for some mad conditioning. After months of training plus a summer of midnight games, our bodies are weapons-grade. And it doesn’t matter what’s happening at home or that school’s starting soon because beaches and moonlight make everything better. When we break for water, we’re panting, but smiling.

Last fall, we finished yet another sucktastic season of field hockey where we lost nearly every game. So in a radical move, Coach made me and Ava co-captains, seeing as we were the only players who’d ever tried anyway. For ten months, we handpicked and trained a new fockey team for the coming season. This fockey team.

“Not a bad group,” Ava says.

I look at her. “We made this happen.” We click sticks. “Coach is going to shit herself when she sees a full-blown team show up on Monday.”

“Ew.” Liv crinkles her face at me. “I haven’t met the woman yet. I definitely don’t want to see her shit herself.”

I smile, but I’m thinking of our team, of Coach’s face. Because of us, we’re powerful enough to get to States and bring the scouts. The sureness of it fills me up as big as the lake, until my feet can’t stay still. I race across the sand, slamming it with my stick. “Fockey time!”

Blue takes it first, but Green steals it back, and the ball soars to me. I tap-tap it over the sandy divots, their edges hard in the moonlight, their dips like black holes. The goal flags wave at me from the other end: an invitation. I run against the wind, lifting my stick high to drive the ball over the dunes and between the flags.

Something blurs my vision.

An animal storms onto the sand. No, not an animal. A girl. My stick connects with the ball all wrong and it arcs through the air and splinters the flag post.

“Hey!” someone yells at her. “What’s your problem?”

“Who runs out in the middle of a game?”

“I—I’m sorry.” The girl’s out of breath and twitchy. “I didn’t…” She looks behind her and I follow her gaze, squinting toward the parking lot, to the houses I know squat beyond. But the night is too close, too dark, and I can’t see anything. A car door slams in the distance and she jumps. “I—I have to go.” She turns.

“Are you okay?” I reach out my hand, but she flinches before I even touch her.

“I have to go.” She looks back into the blackness, then at us, then back again, pressing her hands down her shirt again and again like she’s trying to press out the wrinkles. “I—I’m sorry about your game.” And just like that she takes off down the road, the opposite way from where she came.

It isn’t like running or jogging. It’s more like crashing.

“They said ‘venti coffee?’ She said, ‘twenty coffees.’”

“That’s a walk of shame. Did you see her shirt?”

“I know! It was buttoned all wrong. Someone was gettin’ busy.”

“I think her name is Nikki. We had Health together last year.”

“Nikki Cassavetti?”

Ava looks toward the goal. “Shit. Our flag broke. Nice going, Cap’n.”

But all I can think of is the girl. Nikki. Of the way her eyes didn’t seem to see anything at all. The way her white shirt blazed against the night. The way she shuddered and ran. And I wonder where she was running to—or what she was running from.

“No goal, no problem. Let’s swim.”

We strip down to our underwear and splash into the cool water, laughing, diving. Our shouts dance across the lake with the moonlight while our sweat and paint wash away in the dark water.

But every time I slip under and the voices dull above me, the cold dark closes in.

About the Author


Emma Kress is a graduate of Vassar College, Columbia University’s Teachers College, and the Vermont College of Fine Arts’ Writing for Children and Young Adults MFA program. An educator of over 20 years, Emma was a finalist for New York State Teacher of the Year in 2014. Before teaching, Emma worked in social services helping survivors of sexual assault. Now, she lives with her family in Saratoga Springs, NY.



Giveaway
3 winners will receive a finished copy of DANGEROUS PLAY, US Only.

CLICK THE GRAPHIC


10.30.2019

BLOG TOUR --- The Last True Poets of the Sea by Julie Drake [Spotlight + Giveaway]




Title: The Last True Poets of the Sea
Authors(s): Julie Drake
Edition: Hardcover, ebook, audiobook; 496 pages
Publisher: Disney-Hyperion
Publication Date: October 1, 2019
Source: Rockstar Book Tours
Buy: Amazon - Kindle - Audible - Barnes & Noble - iBooks - Kobo - The Book Depository













Tour Schedule


Week One:
10/1/2019- Twirling Book Princess- Excerpt
10/2/2019- BookHounds YA- Excerpt
10/3/2019- Wonder Struck- Review
10/4/2019- Dazzled by Books- Review

Week Two:
10/7/2019- The Layaway Dragon- Review
10/8/2019- PopTheButterfly Reads- Review
10/9/2019- Novel Novice- Excerpt
10/10/2019- Southern Girl Bookaholic- Review
10/11/2019- Fyrekatz Blog- Review

Week Three:
10/14/2019- Jena Brown Writes - Review
10/15/2019- Fire and Ice- Review
10/16/2019- Moonlight Rendezvous- Review
10/17/2019- A Bookish Dream- Review
10/18/2019- Portrait of a Book- Review

Week Four:
10/21/2019- The Pages In-Between- Review
10/22/2019- Lisa Loves Literature- Excerpt
10/23/2019- Two points of interest- Review 
10/24/2019- Do You Dog-ear?- Review
10/25/2019- Nerdophiles- Review

Week Five:
10/28/2019- Novel Nerd Faction- Review
10/29/2019- Book-Keeping- Review
10/30/2019- Eli to the nth- Spotlight
10/31/2019- That Georgia Gypsy- Review


The Summary

The Larkin family isn't just lucky—they persevere. At least that's what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn't drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.

But wrecks seem to run in the family: Tall, funny, musical Violet can't stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.

Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family's missing piece-the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lain hidden in a watery grave for over a century.

She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes-and the bridges she builds along the way-may be the start of something like survival.

Epic, funny, and sweepingly romantic, The Last True Poets of the Sea is an astonishing debut about the strength it takes to swim up from a wreck.
(Goodreads)
Excerpt


About the Author


Julia Drake grew up outside Philadelphia. As a teenager, she played some of Shakespeare's best heroines in her high school theater program and their stories would stay with her forever. She received her BA in Spanish from Williams College, and her MFA in creative writing from Columbia University, where she also taught writing to first-year students. She currently works as a book coach for aspiring writers and teaches creative writing classes for Writopia Lab, a nonprofit that fosters love of writing in young adults. She lives in San Francisco with her partner and their rescue rabbit, Ned.





Giveaway

3 winners will receive a finished copy of THE LAST TRUE POETS OF THE SEA, US Only.



9.16.2019

BLOG TOUR --- Who Put This Song On? by Morgan Parker [Excerpt + Giveaway]


I'm so excited to be able to share an excerpt from this book.  Who Put This Song On? by  Morgan Parker is a powerful exploration of depression, faith, and blackness -- how do they all intertwine when it comes to our main character, Morgan.  Based loosely on the author's own diaries and experiences, this is a book not to be missed!



Title: Who Put This Song On?
Authors(s): Morgan Parker
Edition: Hardcover, ebook, audiobook; 336 pages
Publisher: Delacorte Press
Publication Date: September 24, 2019
Source: Rockstar Book Tours
Buy: Amazon - Kindle - Audible - Barnes & 
Noble - iBooks - Kobo - The Book Depository
Disclaimer: I received a finished copy from the publisher in exchange for an honest review. My thoughts and opinions are my own.







Tour Schedule


Week One:
9/2/2019- Becky on Books- Excerpt
9/3/2019- A Dream Within A Dream- Excerpt
9/4/2019- Lifestyle Of Me- Review
9/5/2019- Life of a Simple Reader- Excerpt
9/6/2019- jade writes books- Review

Week Two:
9/9/2019- Kait Plus Books- Excerpt
9/10/2019- Here's to Happy Endings- Review
9/11/2019- Jena Brown Writes- Review
9/12/2019- Country Road Reviews- Excerpt
9/13/2019- Paper Reader- Review

Week Three:
9/16/2019- Eli to the nth- Review
9/17/2019- Book-Keeping- Review
9/18/2019- The Layaway Dragon- Review
9/19/2019- Wishful Endings- Excerpt
9/20/2019- Kati's Bookaholic Rambling Reviews- Excerpt

Week Four:
9/23/2019- BookHounds YA- Review
9/24/2019- Confessions of a YA Reader- Excerpt
9/25/2019- dwantstoread- Excerpt
9/26/2019- Two Chicks on Books- Excerpt
9/27/2019- two points of interest- Review

Week Five:
9/30/2019- Bookish Rantings
- Excerpt

The Summary

In the vein of powerful reads like The Hate U Give and Girl in Pieces, comes poet Morgan Parker's pitch-perfect novel about a black teenage girl searching for her identity when the world around her views her depression as a lack of faith and blackness as something to be politely ignored.

Trapped in sunny, stifling, small-town suburbia, seventeen-year-old Morgan knows why she's in therapy. She can't count the number of times she's been the only non-white person at the sleepover, been teased for her "weird" outfits, and been told she's not "really" black. Also, she's spent most of her summer crying in bed. So there's that, too.

Lately, it feels like the whole world is listening to the same terrible track on repeat--and it's telling them how to feel, who to vote for, what to believe. Morgan wonders, when can she turn this song off and begin living for herself?

Life may be a never-ending hamster wheel of agony, but Morgan finds her crew of fellow outcasts, blasts music like there's no tomorrow, discovers what being black means to her, and finally puts her mental health first. She decides that, no matter what, she will always be intense, ridiculous, passionate, and sometimes hilarious. After all, darkness doesn't have to be a bad thing. Darkness is just real.

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Loosely based on her own teenage life and diaries, this incredible debut by award-winning poet Morgan Parker will make readers stand up and cheer for a girl brave enough to live life on her own terms--and for themselves.
(Goodreads)


Excerpt


Susan

This is a story about Susan. Draped permanently on the back of Susan’s chair is a sweater embroidered with birds—­that type of lady. She has this thing I hate, where she’s just always medium, room temperature. Susan looks like a preschool teacher with no emotions. She smiles, she nods, but she almost never laughs or speaks. That might be the number one thing I hate about coming here. She won’t even laugh at my jokes! I know that life with me is a ridiculous hamster wheel of agony, but I’m kind of hilarious, and I’m just trying to make this whole situation less awkward.

I’m the one who begged for my first session, but I was desperate, and it was almost my only choice. Now that I’m actually doing this, I hate it. I just want Susan to buy my usual pitch: I am okay. I am smart and good. I am regular, and I believe in God, and that means I am happy.

By the way, of course my therapist’s name is Susan. It seems like everyone I meet, everyone telling me how to be, is a Susan.

I don’t trust a Susan, and I don’t think they trust me either.

I don’t like Susan, but I want to impress her—­I’m usually so good at it.

But this is what I mean about the bird sweater. I know the bird sweater is awful, and just uncool and unappealing in every way—­it doesn’t even look comfortable. But other Susans like it, and generally all Susans do. It is a sensible piece of clothing; it is normal, and it makes sense. Wouldn’t it be so much easier if I liked the sweater, if I just wore the fucking sweater and didn’t make such a big deal out of everything?

This Is a Story About Me

This is a story about me, and I am the hero of it. It opens with a super-­emo shot of a five-­foot-­nothing seventeen-­year-­old black girl—­me—­in the waiting room at my therapist’s office, a place that I hate. It’s so bright outside it’s neon, and of course the soundtrack is Yankee Hotel Foxtrot by Wilco, because I have more feelings than anyone knows what to do with.

The smell in here is unlike any other smell in the world, some rare concoction of pumpkin pie–­scented candles and every single perfume sample from the first floor of Macy’s. I bet Susan Brady LCSW decorates her house with Thomas Kinkade paintings and those little figurines, cherubs dressed up for various occupations, I don’t know. The other thing I hate about coming here is the random framed photo of, I believe, Bon Jovi on the coffee table, which also features a wide assortment of the corniest magazines of all time.

(White people love Bon Jovi. When Marissa and I went to Lake Havasu with Kelly Kline, because that’s what white people do here in the summer, Bon Jovi was the only thing her family listened to—­that freaking scratched-­up CD was actually stuck inside the thing on their boat. I had a moderate time at “the Lake,” except for when I had to explain my summer braids to Kelly and Marissa, for probably the eight hundredth time, to justify why I didn’t have a hairbrush to sing into. They made me sing into a chicken leg because of course. I was also shamed for not knowing any Bon Jovi lyrics. That was around this time last summer, but it feels like a past life.)

(Another thing I hate about coming here is how I have to think about everything I’ve lost, everything I’ve done wrong, and everything I hate about being alive.)

The thing I like about it here is that there’s Werther’s.

Susan opens the door and spreads her arms to me in a weird Jesus way, the sleeves of her flowy paisley peasant top billowing at her sides. She has kind of a White Auntie thing going on, or a lady-­who-­sells-­birdhouses-­at-­the-­church-­craft-­fair thing: a sad squinty smile, a dull brown bob, a gentle cadence to her voice. I can tell she’s used to talking to children—­probably rich white children—­and as I stiffly arrange myself on the couch in her office, I’m suddenly self-­conscious about my largeness, my badness. I just feel so obvious all the time.

It’s like that song “Too Alive” by the Breeders. I feel every little thing, way more than regular people do.

“So, how are you doing today?” Susan asks too cheerily, like a hostess at Olive Garden or something. “Where are you on the scale we’ve been using?”

(I feel so deeply it agonizes me.)

“I’m okay. I guess on the scale I’m probably ‘pretty dang bad,’ but better than yesterday and still not ‘scary bad.’ ”

(Now, probably to the soundtrack of Belle and Sebastian’s “Get Me Away from Here, I’m Dying,” there’s a longish montage of me zoning out, imagining the lives of everyone I know. Even in my dreams, it’s so easy and fun for them to exist.)

“Are you still taking the art class?”

“Yeah. Every Tuesday.”

“That’s wonderful. And how are you liking it?”

“It’s fine. Sort of boring, but . . . I guess it takes my mind off things.”

“Do you want to talk about what’s on your mind the other times?”

“Um, not really,” I chuckle, in my best joking-­with-­adults voice. The AC churns menacingly, like it always does, taunting me. Susan, with her wrinkled white cleavage, unmoving and unrelenting. Susan doesn’t play.

I think about grabbing a Werther’s from the crystal bowl but don’t, even though I want one. (Will Susan write Loudly sucks on Werther’s in my file as soon as I leave, right next to Is probably fine; just being dramatic?)

“I guess just people at school. Why I’m so different.”

“Can you say a little more about that? What are the things that make you feel so different?”

“I don’t know.” My chest is welling up with everything I’ve been trying to stuff into my mind’s closet. “I can’t get happy.”

It happened only three weeks ago, but since my “episode,” no one in my family has uttered the word suicidal. It’s easier not to.

I glance down at my Chucks, trying to divert my eyes from Susan. Stare at a lamp, the books stacked on her shelves. I spot a spine that reads Healing, Recovery, and Growth, and immediately feel ridiculous. Sweat pools in my bra. This isn’t gonna work.

“Morgan, why are you so angry with yourself?”

I clench my jaw. “I’m not!” This is a lie, but it hasn’t always been. “I’m annoyed,” I admit, sighing, “and embarrassed.”

“Why are you embarrassed?”

“Just—­I don’t know . . . ,” I whine. Words begin to spill and spew from my lungs like a power ballad. “Like, why am I the only one I know who has to go to a shrink? How did I become the crazy one? I have to be the first one in the history of our family and our school to go to therapy?” I bristle. “I’m pissed I can’t just get over stuff the way everyone else seems to.”

I purse my lips resolutely and fold my arms tight against my boobs. Your ball, Susan. She just nods and squints like she has no clue what to do with me.

I’ve asked God and Jesus and all their other relatives to “wash away my sins,” but it doesn’t feel like Jesus is living inside me—­I can’t even imagine what that would feel like. I’m so full up with me, me, stupid me.

“Mmm . . . ,” she finally grunts. “I see.”

Fighting the near-­constant urge to roll my eyes all the way to the back of my skull, I snatch up and devour a Werther’s.

Copyright © 2019 by Morgan Parker



About the Author

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Morgan Parker is the author of the poetry collections Magical Negro (Tin House 2019), There Are More Beautiful Things Than Beyoncé (Tin House 2017), and Other People’s Comfort Keeps Me Up At Night (Switchback Books 2015). Her debut young adult novel Who Put This Song On? will be released by Delacorte Press on September 24, 2019. A debut book of nonfiction is forthcoming from One World/ Random House. Parker received her Bachelors in Anthropology and Creative Writing from Columbia University and her MFA in Poetry from NYU. She is the recipient of a 2017 National Endowment for the Arts Literature Fellowship, winner of a 2016 Pushcart Prize, and a Cave Canem graduate fellow. Parker is the creator and host of Reparations, Live! at the Ace Hotel. With Tommy Pico, she co-curates the Poets With Attitude (PWA) reading series, and with Angel Nafis, she is The Other Black Girl Collective. Morgan is a Sagittarius, and she lives in Los Angeles.

--> Website | Twitter | Facebook | Instagram | Goodreads


Giveaway

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3 winners will receive finished copies of WHO PUT THIS SONG ON?, US Only.

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